Editing 3b was actually quite fun, especially as producer,
all I really did was make sure everybody was doing their tasks and keeping track of the
time that was left until the assignment was due. I also provided the raw sound
files and some input for the artistic development; but I mainly wanted to try
and keep as much artistic control with the director along with getting the
sound designer to give his input on certain sound aspects of the edit.
Producing during the experimental project was pretty much only management of
people and time while also providing assistance during some technical aspects
of editing. This usually involved me searching for how to do certain editing
effects while the rotating editors kept adjusting the rest of the timeline. If anything I was
just IT, powered by Google J
with minimal file logistics; since I was responsible of knowing where all of
the files are located.
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